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Mastering the Pentatonic Article 3 – BB King 6th and the BB Box

The Pentatonic Scale is the holy grail for guitarists. It’s easy to play and it sounds amazing.

This series will show you how to get the most out of our favourite scale, and how making small modifications will get you sounding like the pros and their signature sound.

Mastering the Pentatonic Article 3 BB King; 6th and the “BB Box”

In this article we will look at BB King’s unique note choice when soloing, and articulation techniques synonymous with the blues legend. Below is the A minor pentatonic scale.

Here are the notes and intervals of the scale:
A(root) C(m3) D(4) E(5) G(m7)

BB King 6th and the BB Box

Pentatonic Article 3 BB King

BB played these notes to great effect. But he also added different ones and incorporated them into an incredibly 
user-friendly “box” to solo over dominant blues progressions. It’s called the “BB Box” (see below).

BB Box

On the B & E strings, you can see familiar Minor Pentatonic notes (plus the 2nd). What gives this box the specific BB “flavour” is the use of the 6th on the G string, a note not found in the Minor Pentatonic. This box is also very versatile as you can play the Major 3rd as well with just a small half bend on fret 13. The blue note (b5) can also be added in between fret 10 and 12 on the E string.

This box will give you a brand new set of licks, as this formation of notes isn’t found in your usual pentatonic shapes.

On the right is a BB styled lick using the “BB Box” in A.

Article 3 - BB King

Articulation

BB had his own way of bending notes and using vibrato. His vibrato is incredibly fast and achieved by almost hanging your whole hand off the neck. BB would also make these huge leaps up to the tonic note of the key. These ideas are demonstrated below.

Pentatonic Article 3 BB King

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Pentatonic Article 3 BB King

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