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Learn to solo like Angus Young

Learn to solo like… Angus Young (AC/DC)

PART 1 / 4 : Minor and major pentatonic scales

One of the key components in the music of AC/DC are the instantly recognizable, crazy guitar solos. Angus Young has got a few tricks he will constantly use to achieve this classic hard rock sound.

In part 1, we will look at the kind of scales Angus uses to improvise and write solos.

The most common scale used in rock (and in many more styles of music) is the minor pentatonic scale, which you probably already know. In many songs, Angus would often switch between the minor pentatonic and the major pentatonic, often at regular intervals (half a bar in major, half a bar in minor for example)

Let’s have a look at this lick using the G major and minor scales:

How to Solo like Angus Young

Learn to solo like... Angus Young (AC/DC)

Learn to solo like… Angus Young (AC/DC)

Now, let’s highlight the notes from the major pentatonic in pink and the notes from the minor pentatonic in blue:

Learn to solo like Angus Young

To create licks following this kind of logic, we can take 2 pentatonic scales, one major and one minor, in the same area of the neck, and improvising using notes from either the major or the minor pentatonic. Here are the 2 positions the example above uses:

 

How to Solo like Angus Young

How to Solo like Angus Young

How To Play Lead Guitar Like Angus Young

Learn to solo like… Angus Young (AC/DC)

G major Pentatonic

G major Pentatonic

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Harmonising The Major Scale

Harmonising the major scale

As we all know, the major scale plays a central role in Western music. Almost all of the music we listen to relates to the major scale in one way or another and it is the mother of all of the most common chords and modes that we deal with as musicians on a day to day basis.

Really getting to know the scale and its relation to the chords we use is an essential basis to dive deeper into the world of Jazz harmony. Harmonising the major scale using triads and seventh chords is a fantastic way of opening up new insights into its structure and harmonic possibilities.

Harmonising the major scale using triads
Triads are made up of three notes – the root (1), the third (3) and the fifth (5).

The quickest way of finding the right notes for your triad is going up its respective scale in thirds, which is most easily done by skipping every other note of the scale, and stacking those notes on top of the root.

Within the C major scale for example, the third of C would be E (we skipped the D) and by adding yet another third (skipping the F) we’d get to G, completing our C major triad:

The Harmonised Major Scale

CDEFGABC

If we’d now want to construct a triad using the same scale but starting on D, we’d simply do the same thing going up from there, which would get us the notes D – F – A (a D minor triad).

CDEFGABC

This way we can go through all of the notes of the major scale and assign a chord to each one of them. If you hear someone talk about a “I – IV – V (read: one, four, five) progression”, they are simply referring to the chords that you will find on the first, fourth and fifth note of the scale. In our example of C major, this would be a C, F and G Chord.

Chord qualities

Within chords based on the major scale, thirds can be either major or minor (3 / b3) and fifth can be either perfect or diminished (5 / b5). The type of third/fifth we end up with is determined by the interval (the amount of semitones) between a note and the root of the chord. For a full list of intervals, please have a look at the interval chart at the bottom of this article.

The combination of intervals within a chord determines the type, or quality of the chord. When harmonising the major scale using triads, we will encounter three types of chords:

Major: 1–3–5 Minor: 1 – b3 – 5 Diminished: 1 – b3 – b5

If you keep going through the scale as we did above, you will end up with the following chords for each step (degree) of the scale:

Degree

I

II

III

IV

V

VI

VII

Chord type

Major

Minor

Minor

Major

Major

Minor

Diminished

In C major

C

Dm

Em

F

G

Am

Bdim

Here’s a way of playing through the harmonised C major scale using triads:

Seventh Chords

So called seventh chords consist not of three, but of four notes. The first three are identical to the notes within a triad (1 – 3 – 5). In order to construct a seventh chord, we simply stack yet another third on the top of the triad, giving us a chord that consists of a root, a third, a fifth and a seventh.

Just like the third, the seventh can be either major or minor (maj7 / b7), depending on whether it is ten or eleven semitones away from the root (see interval chart).

When harmonising the major scale using seventh chords, we will encounter four different kinds of chords:

Major 7 (written maj7): Dominant 7 (written dom7 or 7): Minor 7 (written m7):
Half diminished (written m7b5):

Constructing seventh chords

1 – 3 – 5 – maj7 1 – 3 – 5 – b7
1 – b3 – 5 – b7 1 – b3 – b5 – b7

Using the same method as we did with our triads, let’s have a go at finding the seventh chords of each note within our example scale C major:

Harmonising the major scale

Harmonising the major scale

As we already know, the C major triad consists of the notes C – E – G. If we then add another third to that triad (going up from G, skipping the A) we’ll get the extra note B:

CDEFGABC
The chord we end up with now consists of 1 – 3 – 5 – maj7, thus making it a Cmaj7

chord.

Let’s try the same for D:
CDEFGABC
This time we end up with: 1 – b3 – 5 – b7, a Dm7 chord.

You can go through the whole scale in this fashion and will eventually end up with a seventh chord for each note of the scale:

Degree

I

II

III

IV

V

VI

VII

Chord type

maj7

m7

m7

maj7

dom7

m7

m7b5

In C major

Cmaj7

Dm7

Em7

Fmaj7

G7

Am7

Bm7b5

Here’s a way of harmonising the C major scale on your guitar, using seventh chords. Please note that rather than sticking to the 1 – 3 – 5 – 7 order, we are now inverting the chord to a 1 – 5 – 7 – 3 structure, with the first four chords having an optional doubled 5 on top of that. Inverting chords and doubling notes is a common practice on the guitar and other harmony instruments.

You will find the most common chord shapes for maj7, min7 and dom7 chords at the bottom of this article. Try harmonising different major scales using those shapes!
It’s also a lot of fun and great practice to come up with chord progressions
(e.g. I – VI – II – V) and transpose them through different keys.

Seventh Chord shapes with their root note (square) on the E- and A-String

Interval chart

Semitones

Interval

0

Perfect Unison

1

Minor Second

2

Major Second

3

Minor Third

4

Major Third

5

Perfect Fourth

6

Diminished Fifth

7

Perfect Fifth

8

Minor Sixth

9

Major Sixth

10

Minor Seventh

11

Major Seventh

12

Perfect Octave

Seventh Chords

 2 Octave Major scale

Major Scale

Major Scale

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Guitar Lessons in Acton London Guitar Lessons Acton fun, enthusiastic instructor will help you play your favourite songs sooner than you thought possible! Lessons are designed around the goals of the students. Your ambitions become our ambitions. [caption...

Harmonising the major scale As we all know, the major scale plays a central role in Western music. Almost all of the music we listen to relates to the major...

Guitar Lessons Streatham Guitar Lessons Streatham. London Guitar Academy offers guitar lessons Streatham South London. Our longtime Streatham tutor 

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 JASON ISBELL AND THE 400 UNIT GIG REVIEW  Currently touring throughout Europe, LGA reviewer, Paul Wood caught Jason Isbell and the 400 Unit on their last UK date at the Symphony Hall in Birmingham. Jason Isbell has been recording and touring with steadily...

 

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Learn to solo like... Angus Young (AC/DC) PART 1 / 4 : Minor and major pentatonic scales One of the key components in the music of AC/DC are the instantly recognizable, crazy guitar solos....

Guitar Lessons in Acton London Guitar Lessons Acton fun, enthusiastic instructor will help you play your favourite songs sooner than you thought possible! Lessons are designed around the goals of the students. Your ambitions become our ambitions. [caption...

Harmonising the major scale As we all know, the major scale plays a central role in Western music. Almost all of the music we listen to relates to the major...

Guitar Lessons Streatham Guitar Lessons Streatham. London Guitar Academy offers guitar lessons Streatham South London. Our longtime Streatham tutor 

Guitar Lessons in Harrow North West London Guitar Lessons Harrow. Learn to play guitar in Harrow North West London Today.  Our music school offers innovative guitar lessons from certified professional teachers in programs. 

Guitar lessons Chiswick, Richmond and Isleworth Guitar Lessons in Isleworth, Osterley and Hounslow  teach private guitar...

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 JASON ISBELL AND THE 400 UNIT GIG REVIEW  Currently touring throughout Europe, LGA reviewer, Paul Wood caught Jason Isbell and the 400 Unit on their last UK date at the Symphony Hall in Birmingham. Jason Isbell has been recording and touring with steadily...

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GIG REVIEW – JASON ISBELL AND THE 400 UNIT

 JASON ISBELL AND THE 400 UNIT GIG REVIEW 

Currently touring throughout Europe, LGA reviewer, Paul Wood caught Jason Isbell and the 400 Unit on their last UK date at the Symphony Hall in Birmingham.

Jason Isbell has been recording and touring with steadily increasing acclaim since his departure from the Drive By Truckers in 2007. His 4th solo album “Southeastern” earned him a clean sweep at the 2014 Americana Music Awards and follow up album “Something More Than Free” made top position in the Billboard rock, folk and country record charts.

Isbell’s latest studio album “The Nashville Sound” is credited to Jason Isbell and the 400 Unit and its songs are the centerpiece of tonight’s show.

GIG REVIEW – JASON ISBELL AND THE 400 UNIT

 

The line up for the European tour comprises Jason Isbell (guitar), Derry deBorja (keyboards), Chad Gamble (drums), Jimbo Hart (bass), and Sadler Vaden (guitar). This is the band featured on “The Nashville Sound”, although Isbell’s wife, Amanda Shires (fiddle) hasn’t come over for the European dates.

The opening couple of songs had a full on rock sound with both Isbell and fellow guitarist Sadler Vaden on electric guitar.  The opening sound (imagine a mix between Steve Earle in his rocky period and Bruce Springsteen) was probably a bit loud for the Symphony Hall acoustics and the keyboard was pretty much lost underneath the guitars and bass.

Here’s a link to the promo video (with lyrics) for the second song of the night “24 Frames”:

JASON ISBELL

As the set pacing changed and Isbell switched to an acoustic the sound became much better balanced and the whole sound became clearer, even when it got rockier again later in the set. Here’s a link to Isbell’s promo live video of “Hope The High Road”

For quieter numbers, the band slimmed down to just leave on stage Isbell and whoever was needed, before the whole band was back again for the final series of numbers. Here’s a link to the promo video for his rather gorgeous song “Cover Me Up”

The main set drew to a close with some flashy guitar interplay between guitarist Vaden (an impressive player throughout the evening) and Isbell.

The set list was a good mix of the new album (8 songs) and favourites from earlier albums, “Southeastern” (3 songs), “Something More Than Free” (3 songs) and the 2011 album “Here We Rest” (2 songs).

There was also a nod back to the Drive By Truckers with “Decoration Day” and main set closer “Never Gonna Change”.

No two sets on the UK dates was exactly the same, numbers being added or dropped out, presumably to keep it fresh for the band and for the audience, a clear number of which had caught more than one show on the tour.

Here’s a link to Isbell’s promo video for “If We Were Vampires” which was played as the first encore of the night.

Looking at the set lists from other dates on the tour, Isbell has been playing a Tom Petty song in his encore selection and tonight was no exception, the audience being treated to a slammin’ version of “Refugee”.

The Symphony Hall was clearly (almost) full with Isbell fans. His last few albums have seen him make great strides in terms of commercial success and this was a good well paced show from a guy with a growing back catalogue of impressive songs. Jason Isbell is an artist well worth checking out on his next European tour.

SETLIST

  1. Anxiety
  2. 24 Frames
  3. Hope The High Road
  4. White man’s World
  5. Decoration day
  6. Something More Than Free
  7. Codeine
  8. Molotov
  9. Last Of My Kind
  10. Alabama Pines
  11. Elephant
  12. Cumberland Gap
  13. Tupelo
  14. Stockholm
  15. Cover me Up
  16. If It Takes A Lifetime
  17. Never Gonna Change

Encores:

  1. If We Were Vampires
  2. Refugee

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Guitar Lessons Brixton Get Better, Faster & Become the musician you always wanted to be with our friendly, dedicated ,motivated, and experienced tutor ready to help improve your guitar playing!  

 Guitar Lessons Brixton South London

Guitar Lessons Brixton South London

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